Photo of Alfonso Ferro R. Mexico

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Biography

Información en Inglés, French and Spanish
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ENGLISH:
Visual Artist
Sculptor, ceramist, and Painter Installer
Mexico City
Comments on Alfonso Ruiz Ferro artwork.
"Spaces, Labyrinths and Other Places"

Alfonso Ferro\'s artwork is Shown Through a wide range of stylistic Motivations going...

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27.56 x 19.69 in
Painting
47.24 x 59.06 in
Painting
47.24 x 43.31 in
Painting
15.75 x 23.62 in
Sculpture
27.56 x 27.56 in
Sculpture
47.24 x 55.12 in
Painting
66.93 x 59.06 in
Painting
82.68 x 27.56 in
Painting
59.06 x 47.24 in
Painting
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Comments

Información en Inglés, French and Spanish
click more information contact the artist


ENGLISH:
Visual Artist
Sculptor, ceramist, and Painter Installer
Mexico City
Comments on Alfonso Ruiz Ferro artwork.
"Spaces, Labyrinths and Other Places"

Alfonso Ferro\'s artwork is Shown Through a wide range of stylistic Motivations going from the liberty of abstract strokes emotively made and rugged, with passing-through constructivist aftertaste controlled abstraction, to a kind of narrative figuration with a conceptual accent. His painting is central to practice on a plastic production, Extending it to installation, ceramic and sculpture, in Each One of Them, I handles personnel and contemporary speech.

FRENCH:
Artiste Visuel
Sculpteur, potter, et peintre Installateur
Mexico, DF
Commentaires sur l\'?uvre artistique d\'Alfonso Ruiz Ferro.
"Espaces, et Autres Labyrinthes Endroits"

L\'?uvre de Alfonso joins Ferro montre dans Ample Motivations gamme qui vont stylistiques de la liberté qui savent des Pinceaux abstraits is émotifs et rendre accidents, en passant par l\'abstraction contrôlée avec arrière-goût a constructivist, a genre jusqu\'à tons of narrative figuration conceptuel. Sa peinture dans centrale est une pratique qui s\'étend joins plastique production vers l\'installation, the sculpture et la céramique; et dans chacun d\'elles, il gère a personnel et discours contemporain.




& Nbs p; Visual Artist



Sculptor, potter, and painter Installer


Mexico DF.


Comments to the art show Ferro Alfonso Ruiz.


"Spaces, Labyrinths and Other Places.


Ferro Alfonso\'s work is displayed in a wide range of stylistic reasons ranging from freedom of stroke abstract emotion, and knows how to hit, through the constructivist abstraction aftertaste controlled, to a kind of narrative representation of conceptual focus. His painting is a central practice in plastic production extends to the installation, ceramics and sculpture, and all, is sending a personal and contemporary.


The practice of painting Ferro, be understood as craftsmanship, as a model of illusion or subjective language registration and / or conceptual dialogue with a critical understanding of the history of Western representation. His work can be seen as a key to understanding the historicity of the look and prevailing myths about the subject even heroic.


The collection of works by the author, calls the recent work of his paintings that go beyond both Colombian-Mexican who gave birth to the artistic training of Alfonso Ferro. In his work can be seen reaching out to different generations, whose production is focused on painting in more established technical terms. Introducing different approaches, proposals and languages, this exhibition offers a reflection on the relevance of painting as a cultural expression, but also on the vitality of the auratic in the style of painting. His work tends to be circumspect expression, is observed to be an artist who speaks to the History of Art and his work is an inter-scrolling text in the interrogation of the gaze. As Tenorio says the writer Héctor Muñoz Cota:



His work invites us to remain silent before his canvas to observe a perpetual movement that profoundly the senses of the viewer.


Ferro has synthesized their questions to us to find the answers.



This exhibition, "Spaces, Labyrinths and Other Places," mixed understanding of art with a religious imprint on its way to the artist\'s experience, their questions, their moods, their ability to invade the space of painting . It makes us feel involved, projected in plastic universe and human.


Madeline G. Izquierdo


Art Critic


Mexico, March 2010.


ferro_alfonso@hotmail.com


STUDIES


1998 - 2001 Master of Visual Arts: Graduate Unit, National Autonomous University of Mexico (UNAM)


1987 - 1995 Master in Fine Art: Francisco José de Caldas University and School District of Bogotá, Colombia


ACKNOWLEDGMENTS


2009 X Festival of Visual Arts, Campeche, Mexico-2009


2008 New Fire Museum, Delegación Iztapalapa, Mexico DF.


2006 New Fire Museum, Delegación Iztapalapa, Mexico DF.


2003 Instituto Mexicano del Petroleo, Mexico DF.


2003 1st. Visual Arts Workshop, Otavalo. Ecuador


2002 Foundation Drawing Tomorrow, Mexico DF.


2001 Coordination Cultural Plaza Insurgentes, Mexico DF.


2000 Federal District and Iztacalco Delegation at the Second Latin American Exhibition of Painting, Mexico DF.


1997 Gabriela Mistral Prize Washington DC.


1990 First Place Public Sculpture, Ibague (Tolima), Colombia.


1989 Gallery Cano. Bogota DC, Colombia.


EXPO. INDIVIDUAL


2009 Expo. "Assemblies" at the National Institute of Pediatrics (INP) in celebrating the International Day of the doctor, Mexico City.


2008 German Club, Mexico City.


2008 New Fire Museum, Iztapalapa, Mexico DF.


2006 New Fire Museum, Iztapalapa, Mexico DF.


2006 The Casetón, multidisciplinary cultural center in Mexico City.


Ministry of Environment 2002 SEMARNAT, Mexico DF.


Peri Mall 2001 South, Mexico DF.


Gallery 2000 S. Menache, Mexico DF.


2000 Centro Comercial Plaza Insurgentes, Mexico DF.


SHARES


2002 Sculpture Biennial Sebastián, Colima Mexico.


2002 Biennial Embassy of Venezuela, Mexico DF.


EXPO. COLLECTIVE


2010 Expsoción Ward-Nasse Gallery, Soho, New York,


Euro 2009 VI American Exhibition of Arts, Campeche, Mexico, Europe, City of San Francisco de Campeche, 16 to July 24


2009 Montserrat Gallery Contemporary Art, New York City


2003 Holi-Art Foundation and the Alliance Francaise exhibition Ephemeral "Order and Disorder (Installation) Mexico City Spanish Casino.


2003 23 Mini Print International Cadaqués, 2003, Barcelona, Spain.


2003 Wingfield Arts & Music Festival, England.


2003 Workshop Gallery Fort, Cadaqués, Girona, Spain.


2003 Galerie-L `Etang d \'Art-In Bages, France.


2003 "Two Artists Two Trends" (Painting) Oil Institute Mexico DF Mexico.


2002 Latin American Meeting of Art (Painting) Casa de la Cultura Benjamín Carrión Quito, Ecuador.


2001 "Group of Six" (Painting) Chamber of Deputies II Congress Mexico City.


2001 International Fair of Tapachula 2001 (painting) Mexico.


2000 2nd. Latin American Meeting of Painting, Delegation Iztacalco, Mexico DF.


1996 Club Torchia, Social Welfare Fund Central Bank mortgage Bogotá DC. Colombia


1992 Casa de la Cultura Chia (Ceramics)


1991 Institute of Culture and Tourism (Ceramics) Bogotá DC Colombia.


1991 Cultural Center of the Government of Ontario, (Ceramics) Bogotá DC. Colombia.


1991 National Pedagogical University (Ceramics) Bogotá DC. Colombia.


1989 Gallery Cano. Bogotá (Ceramics) Bogotá DC. Colombia


CATALOGS


Euro VI American Exhibition of Visual Arts. X Festival of Visual Arts, Campeche, Mexico-2009, Published by Government of the State of Campeche, July 2009


P. 38


ENGLISH:
Visual Artist
Sculptor, ceramist, and Painter Installer
Mexico City
Comments on Alfonso Ruiz Ferro artwork.
"Spaces, Labyrinths and Other Places"

Alfonso Ferro\'s artwork is Shown Through a wide range of stylistic Motivations going from the liberty of abstract strokes emotively made and rugged, with passing-through constructivist aftertaste controlled abstraction, to a kind of narrative figuration with a conceptual accent. His painting is central to practice on a plastic production, Extending it to installation, ceramic and sculpture, in Each One of Them, I handles personnel and contemporary speech.

FRENCH:
Artiste Visuel
Sculpteur, potter, et peintre Installateur
Mexico, DF
Commentaires sur l\'?uvre artistique d\'Alfonso Ruiz Ferro.
"Espaces, et Autres Labyrinthes Endroits"

L\'?uvre de Alfonso joins Ferro montre dans Ample Motivations gamme qui vont stylistiques de la liberté qui savent des Pinceaux abstraits is émotifs et rendre accidents, en passant par l\'abstraction contrôlée avec arrière-goût a constructivist, a genre jusqu\'à tons of narrative figuration conceptuel. Sa peinture est une centrale dans pratique qui s\'étend joins plastique production vers l\'installation, the céramique et la sculpture, et dans chacun d\'elles, il gère a personnel et discours contemporain.

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